Rumput is honored to support keroncong royalty Endah Laras and Danis Sugiyanto for a concert of keroncong classics at Perkinson Recital Hall, University of Richmond.
Endah Laras is a renowned keroncong performer with an equally robust background in traditional Javanese arts. Her father was a dalang (shadow puppeteer), her mother a dancer, and they taught her karawitan, sindhenan, and Javanese dance. This foundation in traditional Javanese arts laid the groundwork for her studies and collaborations in contemporary and experimental music. Laras has performed with acclaimed dalang Ki Enthus Susmono in the Netherlands, France, Belgium and Korea. She collaborated with Japanese choreographer Akiko Kitamura on “To Belong”, which appeared in Japan, Singapore, Hong Kong and Indonesia. She routinely gives dance and music workshops at the Chinese University of Hong Kong and UWCSEA, an international school in Singapore. Her mellifluous and versatile voice lends itself well to keroncong, as heard on recordings with keroncong maestros Andjar Any and Mus Mulyadi.
Danis Sugiyanto is a professor of karawitan at Institut Seni Indonesia Solo (Indonesian Arts University of Solo) and a master keroncong musician. Born in Surakarta, Sugiyanto has appeared in musical and theatrical productions throughout the world. In 1997, he performed in a production of “King Lear” in Japan under the direction of Ong Ken Seng and Rahayu Supanggah. He also performed karawitan in a production of “I Lagaligo” by acclaimed director Robert Wilson and Rahayu Supanggah in New York (2005), Jakarta (2006), Melbourne (2006), Milan, and Taipei (2008). He is an accomplished composer and contributed music for a production with Wayang Keroncong Gendut at the Malay Festival of Singapore, 2016. With the support of a Fulbright fellowship, Sugiyanto taught at the University of Richmond and the College of William & Mary as a scholar-in-residence during the Spring semester of 2018.
Social media aggregator Line Today reposted our video of Jali-Jali, calling it “luar biasa fasih” (extraordinarily fluent). It soared past 100k views in a week!
US premiere of Akar at The Roundhouse, Richmond VA, September 2 2018.
Last September was the US premiere of Akar, our intercultural retelling of Jack & the Beanstalk, here in Richmond Virginia, following our tour of Java.
5:00-6:30 Family-friendly performance of Javanese and Balinese traditional gamelan music with Gamelan Raga Kusuma. Complimentary Javanese snacks and coffee. Audience is invited to try the instruments afterward.
6:30-7:30 Grab dinner at the food truck parked out front or at your fav Scott’s Addition restaurant/brewery. (Remember, Don’t Look Back [tacos] is right next door; and Courthouse Creek Cidery is in the back. . . )
7:30-8:30 Rumput String-band and Shadow Theater.
Suggested donation: $10 for Rumput or GRK, $15 for both. No one turned away for lack of funds.
Rumput will accompany Indonesian guest artist, Ubiet Raesuki, for an evening of traditional kroncong. Indonesian Food Trucks at 7:00. Tickets are free but need to be reserved in advance https://kroncongmusic.eventbrite.com.
This concert will be part of “Performing Indonesia”, an annual event presented by the Smithsonian Institute. Members of Gamelan Raga Kusuma will join New York’s Momenta String Quartet and Ubiet Raesuki for an evening of contemporary music by Indonesian composers: featuring I Wayan Yudane’s and Jack Body’s setting of Colin McPhee’s memoir “House in Bali” and Tony Prabowo’s “Pastoral.” Rumput will accompany Ubiet Raseuki for some traditional kroncong pieces. Tickets to this concert go on sale September 6, through gwutickets.com
Rumput plays a style of Indonesian street music called keroncong, often blended with old-time Appalachian music, and accompanied by shadow theater and crankies (scrolling panoramic artwork).
Jesse Orr will be performing crankies at various locations within the venue through the night.
Molly Bower will warm up our eyes with a few shorts from the roots of cinema – early “movies” that experiment with rhythm, motion, and storytelling. Technological contemporaries of the “cranky” and ancestors of cinema.
Doors at 7, Boxcutter Collective 7:30-8:00, Gamelan Kusuma Laras Small Ensemble 8:00-8:30 Rumput 8:30-9:30. $10.
Rumput plays a style of Indonesian street music called keroncong which they blend with old time Appalachian music. They use shadow theater and a style of scrolling artwork called a cranky to accompany their music. http://rumput.org/
Gamelan Kusuma Laras will be bringing a small ensemble to perform classical Javanese gamelan. They are based in NYC and have performed at Wesleyan, Lincoln Center, The Metropolitan Museum of Art and more. http://kusumalaras.org
Members of Bread and Puppet form the Boxcutter Collective, a Brooklyn based puppet troop, to present: “The Banks are Made of Marble.” A 25 Minute hand puppet show starring the great Judy as she navigates solutions for being poor, evicted, and dealing with dental problems in NYC. Desperate times call for desperate measures! What will Judy learn about the banking system and the relationship between debt and money, consumption and growth? Classic puppetry in our modern times. http://breadandpuppet.org/
Katherine Fahey is a papercut artist, shadow puppeteer, designer, and performer. She’s a candid and thoughtful artist equipped with a storyteller’s voice and meticulous craftsmanship. http://katherinefahey.com
PERMIAS Penn State presents its annual gala event, Indonesian Cultural Night 2019, featuring a theatrical performance of the story of Roro Mendut, a classical folk tale of love and war adapted for the modern world.
Additional performances from Saung Budaya, a traditional Indonesian Dance group well known for performing for the Indonesian Embassy, and Rumput, playing Indonesian fusion music and kecak, a traditional Balinese style of interactive signing and chanting.
Date: Sunday, March 17 2019
Location: HUB Alumni Hall
Doors Open: 6:00PM