Style Weekly theater critic Claire Boswell reviewed our play The Minotaur, which premieres at Firehouse Theater on April 2.

Style Weekly theater critic Claire Boswell reviewed our play The Minotaur, which premieres at Firehouse Theater on April 2.
We’ve taken the COVID-19 downtime to develop new shadow theater techniques, applying them to new and existing crankies and music. Coming soon!
New crankie + shadow-puppetry video for our langgam keroncong arrangement of the traditional song Silver Dagger. Crankie and arrangement by Hannah; shadow theater by Andy McGraw, Jess Zike, and Noel.
Featuring Balinese Shadow Master Gusti Sudarta and a new crankie on the ongoing deadly colonial history of tobacco in the Americas and Southeast Asia.
Last September was the US premiere of Akar, our intercultural retelling of Jack & the Beanstalk, here in Richmond Virginia, following our tour of Java.
Dari Amerika, musisi perempuan bentuk grup keroncong dan pentas di Solo
View as PDF: BBC_Dari Amerika, musisi perempuan bentuk grup keroncong dan pentas di Solo
Watch video: bbc.com/indonesia/media-45003834
View as images (2 parts):
We’re launching our new project, Akar, with a tour of Java featuring crankies, storytelling, songs, and international collaborators.
Beyond the simple pleasure of of performing beautiful music and shadow theater, Rumput’s mission has been intercultural communion through study and collaboration. Last year we traveled to Java on the extraordinary opportunity of an invited 12-day residency. The timing lined up fortuitously with Andy’s academic research in Bali and the departure of three of our members for a year of intensive study in Java — Hannah on a Fulbright scholarship to study keroncong, Natalie on a Darmasiswa scholarship to study gamelan, and Edward on a Darmasiswa to study wayang (shadow puppetry). We got to escort them overseas, play music together, immerse ourselves in the local culture, and collaborate with enormously talented Javanese musicians.
This summer we’re mounting a similar journey on the other end of our scholars’ study year. But this time we’re traveling on our own steam, with our own agenda, rather than on a sponsored, curated, and all-expenses-paid trip. This will enable us to dig deeper into the highly localized cultures of several Indonesian cities.
Detail from Beth Reid’s “Brer Rabbit” crankie. Photo by Robert Parrish.
Rumput was invited to perform musical shadow theater at the opening for this year-long exhibit of silhouette art.
Rumput was featured in InLight 2017, a juried outdoor public festival of illuminated art with an international draw. Many thanks to our fabulous crankie artist Beth Reid for putting together the application, and to sound & vision designer Greyson Goodenow for making us look so spectacular the photographers couldn’t keep away. (Fully 28% of the 7 photos featured in the Richmond Times-Dispatch gallery were of us!)
Thanks also to photographers Robert Parrish (freelance) and James H. Wallace (Richmond Times-Dispatch).