Wayang kulit (shadow theater) performed by I Gusti Putu Sudarta, accompanied by live kroncong and gamelan music performed by Rumput and members of Gamelan Raga Kusuma.
Sudarta will perform Sutasoma. In this shadow play, the only child of a royal family rejects the throne and escapes to the forest for a life of Buddhist contemplation. But first he must conquer various ogres in the forest.
Wayang kulit are flat leather puppets made from carved and painted rawhide. The Javanese and Balinese shadow play tradition is at least 1000 years old. It is both a sacred genre and a mass entertainment for local communities. Besides philosophical and religious instruction, performances include a healthy dose of bawdy humor and manic fight scenes.
The performance lasts approximately 75 minutes. Afterwards, you can meet Sudarta and learn about his puppets.
I Gusti Putu Sudarta is Faculty and Director of the Theatre Program at the Indonesian Institute of the Arts in Denpasar, Bali, Indonesia. Sudarta was born into a family of artists in the village of Bedulu, Bali, in 1968. From a young age, he studied traditional Balinese gamelan music with teachers in his village. He is a prolific musician, dancer, composer, and shadow master, actively performing at Balinese temple ceremonies, in academic contexts, at national cultural festivals, and on international stages. He has taught frequently as a visiting artist in American and Taiwanese universities.
Rumput is honored to support keroncong royalty Endah Laras and Danis Sugiyanto for a concert of keroncong classics, plus workshops at the Freer Gallery of Art at the Smithsonian Institution.
Workshops:
Sunday October 6, 1pm and 4pm, Freer Gallery 5
Lecture/demonstration on the history and fundamentals of keroncong. Bring a stringed instrument to play along! http://events.si.edu/133840708
Endah Laras is a renowned keroncong performer with an equally robust background in traditional Javanese arts. Her father was a dalang (shadow puppeteer), her mother a dancer, and they taught her karawitan, sindhenan, and Javanese dance. This foundation in traditional Javanese arts laid the groundwork for her studies and collaborations in contemporary and experimental music. Laras has performed with acclaimed dalang Ki Enthus Susmono in the Netherlands, France, Belgium and Korea. She collaborated with Japanese choreographer Akiko Kitamura on “To Belong”, which appeared in Japan, Singapore, Hong Kong and Indonesia. She routinely gives dance and music workshops at the Chinese University of Hong Kong and UWCSEA, an international school in Singapore. Her mellifluous and versatile voice lends itself well to keroncong, as heard on recordings with keroncong maestros Andjar Any and Mus Mulyadi.
Danis Sugiyanto is a professor of karawitan at Institut Seni Indonesia Solo (Indonesian Arts University of Solo) and a master keroncong musician. Born in Surakarta, Sugiyanto has appeared in musical and theatrical productions throughout the world. In 1997, he performed in a production of “King Lear” in Japan under the direction of Ong Ken Seng and Rahayu Supanggah. He also performed karawitan in a production of “I Lagaligo” by acclaimed director Robert Wilson and Rahayu Supanggah in New York (2005), Jakarta (2006), Melbourne (2006), Milan, and Taipei (2008). He is an accomplished composer who contributed music for a production with “Wayang Keroncong Gendut” at the Malay Festival of Singapore, 2016. With the support of a Fulbright fellowship, Danis Sugiyanto taught at the University of Richmond and the College of William & Mary as a scholar-in-residence during the Spring semester of 2018.
Rumput is honored to support keroncong royalty Endah Laras and Danis Sugiyanto for a concert of keroncong classics on the CarMax Family Stage at The Richmond Folk Festival, sponsored by JAMinc.
Endah Laras is a renowned keroncong performer with an equally robust background in traditional Javanese arts. Her father was a dalang (shadow puppeteer), her mother a dancer, and they taught her karawitan, sindhenan, and Javanese dance. This foundation in traditional Javanese arts laid the groundwork for her studies and collaborations in contemporary and experimental music. Laras has performed with acclaimed dalang Ki Enthus Susmono in the Netherlands, France, Belgium and Korea. She collaborated with Japanese choreographer Akiko Kitamura on “To Belong”, which appeared in Japan, Singapore, Hong Kong and Indonesia. She routinely gives dance and music workshops at the Chinese University of Hong Kong and UWCSEA, an international school in Singapore. Her mellifluous and versatile voice lends itself well to keroncong, as heard on recordings with keroncong maestros Andjar Any and Mus Mulyadi.
Danis Sugiyanto is a professor of karawitan at Institut Seni Indonesia Solo (Indonesian Arts University of Solo) and a master keroncong musician. Born in Surakarta, Sugiyanto has appeared in musical and theatrical productions throughout the world. In 1997, he performed in a production of “King Lear” in Japan under the direction of Ong Ken Seng and Rahayu Supanggah. He also performed karawitan in a production of “I Lagaligo” by acclaimed director Robert Wilson and Rahayu Supanggah in New York (2005), Jakarta (2006), Melbourne (2006), Milan, and Taipei (2008). He is an accomplished composer and contributed music for a production with Wayang Keroncong Gendut at the Malay Festival of Singapore, 2016. With the support of a Fulbright fellowship, Sugiyanto taught at the University of Richmond and the College of William & Mary as a scholar-in-residence during the Spring semester of 2018.
Rumput is honored to support keroncong royalty Endah Laras and Danis Sugiyanto for a concert of keroncong classics at Perkinson Recital Hall, University of Richmond.
Endah Laras is a renowned keroncong performer with an equally robust background in traditional Javanese arts. Her father was a dalang (shadow puppeteer), her mother a dancer, and they taught her karawitan, sindhenan, and Javanese dance. This foundation in traditional Javanese arts laid the groundwork for her studies and collaborations in contemporary and experimental music. Laras has performed with acclaimed dalang Ki Enthus Susmono in the Netherlands, France, Belgium and Korea. She collaborated with Japanese choreographer Akiko Kitamura on “To Belong”, which appeared in Japan, Singapore, Hong Kong and Indonesia. She routinely gives dance and music workshops at the Chinese University of Hong Kong and UWCSEA, an international school in Singapore. Her mellifluous and versatile voice lends itself well to keroncong, as heard on recordings with keroncong maestros Andjar Any and Mus Mulyadi.
Danis Sugiyanto is a professor of karawitan at Institut Seni Indonesia Solo (Indonesian Arts University of Solo) and a master keroncong musician. Born in Surakarta, Sugiyanto has appeared in musical and theatrical productions throughout the world. In 1997, he performed in a production of “King Lear” in Japan under the direction of Ong Ken Seng and Rahayu Supanggah. He also performed karawitan in a production of “I Lagaligo” by acclaimed director Robert Wilson and Rahayu Supanggah in New York (2005), Jakarta (2006), Melbourne (2006), Milan, and Taipei (2008). He is an accomplished composer and contributed music for a production with Wayang Keroncong Gendut at the Malay Festival of Singapore, 2016. With the support of a Fulbright fellowship, Sugiyanto taught at the University of Richmond and the College of William & Mary as a scholar-in-residence during the Spring semester of 2018.
Rumput will accompany Indonesian guest artist, Ubiet Raesuki, for an evening of traditional kroncong. Indonesian Food Trucks at 7:00. Tickets are free but need to be reserved in advance https://kroncongmusic.eventbrite.com.
This concert will be part of “Performing Indonesia”, an annual event presented by the Smithsonian Institute. Members of Gamelan Raga Kusuma will join New York’s Momenta String Quartet and Ubiet Raesuki for an evening of contemporary music by Indonesian composers: featuring I Wayan Yudane’s and Jack Body’s setting of Colin McPhee’s memoir “House in Bali” and Tony Prabowo’s “Pastoral.” Rumput will accompany Ubiet Raseuki for some traditional kroncong pieces. Tickets to this concert go on sale September 6, through gwutickets.com
Rumput plays a style of Indonesian street music called keroncong, often blended with old-time Appalachian music, and accompanied by shadow theater and crankies (scrolling panoramic artwork).
Jesse Orr will be performing crankies at various locations within the venue through the night.
Molly Bower will warm up our eyes with a few shorts from the roots of cinema – early “movies” that experiment with rhythm, motion, and storytelling. Technological contemporaries of the “cranky” and ancestors of cinema.
Doors at 7, Boxcutter Collective 7:30-8:00, Gamelan Kusuma Laras Small Ensemble 8:00-8:30 Rumput 8:30-9:30. $10.
Rumput plays a style of Indonesian street music called keroncong which they blend with old time Appalachian music. They use shadow theater and a style of scrolling artwork called a cranky to accompany their music. http://rumput.org/
Gamelan Kusuma Laras will be bringing a small ensemble to perform classical Javanese gamelan. They are based in NYC and have performed at Wesleyan, Lincoln Center, The Metropolitan Museum of Art and more. http://kusumalaras.org
Members of Bread and Puppet form the Boxcutter Collective, a Brooklyn based puppet troop, to present: “The Banks are Made of Marble.” A 25 Minute hand puppet show starring the great Judy as she navigates solutions for being poor, evicted, and dealing with dental problems in NYC. Desperate times call for desperate measures! What will Judy learn about the banking system and the relationship between debt and money, consumption and growth? Classic puppetry in our modern times. http://breadandpuppet.org/
Katherine Fahey is a papercut artist, shadow puppeteer, designer, and performer. She’s a candid and thoughtful artist equipped with a storyteller’s voice and meticulous craftsmanship. http://katherinefahey.com
Rumput will accompany Indonesian guest artist, Ubiet Raesuki, for an evening of traditional kroncong. Indonesian Food Trucks at 7:00. Tickets are free but need to be reserved in advance 
This concert will be part of “Performing Indonesia”, an annual event presented by the Smithsonian Institute. Members of Gamelan Raga Kusuma will join New York’s 
Rumput plays a style of Indonesian street music called keroncong, often blended with old-time Appalachian music, and accompanied by shadow theater and crankies (scrolling panoramic artwork).
Doors at 7, Boxcutter Collective 7:30-8:00, Gamelan Kusuma Laras Small Ensemble 8:00-8:30 Rumput 8:30-9:30. $10.
Katherine Fahey is a papercut artist, shadow puppeteer, designer, and performer. She’s a candid and thoughtful artist equipped with a storyteller’s voice and meticulous craftsmanship.